Regency’s “Sable Garb of Woe”

From the November, 1818 issue of La Belle Assemblée or, Bell’s Court and Fashionable Magazine Addressed Particularly to the Ladies, the following notice appears:

Our Cabinet of Taste is unavoidably closed at present: every European court will, no doubt, adopt the ‘sable garb of woe’ for Britain’s virtuous queen.

It was said by contemporaries that this Lawrence portrait of George III's Consort bore a remarkable likeness to her.

And with that, Adelaide’s adventures come to an end–or, at least, they are no longer reported. Presumably her frivolous ways were considered an affront to the Readership’s sensibilities in this time of mourning following Queen Charlotte’s death.

Instead, anecdotes of the Queen’s final moments were shared. Sir Henry Halford, physician to the Regency, was in attendance during her last illness. It was he who sent to Carlton House, summoning the Prince Regent in:

..a statement so alarming, that the Prince sent instantly for the Duke of York to accompany him to Kew.

The queen was reportedly lucid throughout the duration of her last day on earth, November 17th. She sat in her chair, surrounded by her children, the Prince Regent holding her hand. In keeping with the Magazine’s determined tone of solemnity and discretion, further illustration of the deathbed scene was limited:

The expiring scene–the heart-rending feelings of the Regent, and all present, it will be equally impossible and unbecoming to attempt to describe.

Inevitably, bombazine is the dress material of mourning. This illustration of a carriage dress suitable for mourning, from the Magazine's November issue, is liberally trimmed in black velvet, from spencer to hem.

Inevitably, bombazine is the dress material of mourning. This illustration of a carriage dress suitable for mourning, from the Magazine’s November issue, is liberally trimmed in black velvet, from spencer to hem.

Queen Charlotte served as Consort for fifty-seven years and seventy days.

Just this past week we’ve been reminded of another Consort’s lengthy service.

Elizabeth II and the Duke of Edinburgh - 1954

Elizabeth II and Prince Philip–is it him or the uniform that draws the admiring glance? I can’t decide.

 

 

 

 

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Physician to the Regency

Georgette Heyer's Cotillion

I love these old covers. This one is from the 70s, I think.

“Ermine or chincilla with blue, Meg! Sables never show to advantage!”

By the time this point was fully argued, news was brought to Lady Legerwood that the doctor had arrived, whereupon, after hurriedly commending Kitty to her daughter’s care, she hurried away, bent on convincing the worthy physician that certain unfavorable symptoms, which had manifested themselves during the night, made it advisable for him to call in Sir Henry Halford, to prescribe for Edmund.

As the family doctor, a rising man, was at daggers-drawn with the eel-backed baronet, it did not seem probable that she would be seen again for some appreciable time.

——— Cotillion, by Georgette Heyer

Sir Henry Halford (1766 – 1844), was considered the foremost physician to the ton during the Regency.

He was born Henry Vaughan but changed his name by an Act of Parliament to Halford, anticipating a substantial inheritance from the original Halford family.

Sir Henry Halford (looking over the voucher list for Almack's, I'll warrant)

Sir Henry Halford (looking over the voucher list for Almack’s, I’ll warrant)

It was his connections and smooth manners that recommended him and not his skill as a practitioner. It didn’t hurt that he was also married to Elizabeth, the daughter of John St John, 12th Baron St John of Bletsoe. He managed to snag a position as doctor to the Royal Family and was on hand to take custody of the 4th vertebra of Charles I, which still bore marks of the ax.

Ms. Heyer knew her character well. Contemporaries called the good doctor that “eel-backed baronet in consequence of his deep and oft-repeated bows.”