Standard Bearer to the Regency – Part Four

Sarah Sophia Child Villiers, Countess of Jersey, achieved everything she set out to do as a young woman. She married the Earl of Jersey in her own drawing room. She gave him an heir and a spare, besides three beautiful girls.

She convinced most of Regency-era society she was their de facto ruler.

Portrait of Sarah Sophia’s daughters via National Galleries of Scotland: Frederica (later Princess Esterhazy), Adela (eloped with her own ‘Mr. Wickham’) and Clementina (her face appeared in all the era’s Books of Beauty)

The streak of restlessness in her character did not subside as she headed into matronhood, nor her powerful motivation to lead. These traits found an outlet in politics–an activity to promote her deeply held Tory principles. Many criticized her for being headstrong, imperious and meddling. Such hurly-burly behavior was unbecoming in a female of rank.

I wager being a Tory wasn’t the problem. Being female was.

To supplement her husband’s modest political activities,* Sarah Sophia put on lavish parties. Her townhouse was filled to the brim for the triumphant celebration she put on after the (practical) nullification of the Marriage Act of 1754. Prominent Whig hostess Lady Holland bemoaned the fact her Tory rival’s gatherings were better attended than her own, by members of both parties.+

It seems the atmosphere in Berkeley Square was more relaxed than Holland House in Kensington. At No. 38, observers noted how even foreign diplomats, like the great Talleyrand, freely discussed policies that might otherwise be too sensitive to bandy about at a party.++

Gossip had it that Sarah Sophia did some of her politicking in other men’s arms.

Much of this speculation rests on an often cited misquote of a remark made by, oddly enough, Lord Jersey himself. When challenged to a duel, he refused to defend his wife’s honor.+++  Somehow the purpose for the challenge got lost in the translation. Sarah Sophia’s husband might fight a duel over sex, but not over vouchers to Almack’s.

“Lord Jersey replied in a very dignified manner, saying that if all persons who did not receive tickets from his wife were to call him to account for want of courtesy on her part, he should have to make up his mind to become a target for young officers, and he therefore declined the honor of a proposed meeting.”– Captain Gronow, by R. H. Gronow, 1794-1865

Mild-mannered Lord Jersey appears to have held Sarah Sophia’s affections throughout their long (55 year) marriage.

Marble bust of George Child-Villiers, 5th Earl of Jersey by Nollekens — photo via UK Government Art Collection — “Looking in great beauty” —Lady Bessborough observed.  I, too, am a fangirl.

In any event, one has to think Sarah Sophia’s forceful, talkative nature would have made it difficult for her to execute political maneuvers in such an intimate setting as the bedroom.

The strategy she did employ had a much better chance of success. It was far more efficient to carry the war straight to the combatants since she already attended a staggering round of social events. Of course, it put people in a bustle if one discussed politics at routs, turtle breakfasts, balls and so forth. Very bad ton.

Yet Sarah Sophia managed to carry the thing off.

Lady Holland’s son Henry Edward Fox recorded a wealth of society’s doings at this time, including Lady Jersey’s. To the vexation of his Whig parents, he greatly admired the leading Tory hostess, albeit with some qualifications:

‘There is no fine lady I love so much; she never tells what is not true yet talks more than anybody in England.’
–The Journal of Henry Edward Fox 1818 – 1830, by Baron Henry Edward Vassall Fox (1923)

Those aborted attempts to discourage her are among his best anecdotes.

One in particular blew up in a duke’s face. His Grace of Devonshire planned a Whig celebration for newly crowned George IV and was well aware the Countess of Jersey expected to attend. The problem arose when she came out in strong support of Queen Caroline, the estranged wife of the new king. The duke suddenly ‘took fright’ and against Lord Jersey’s advice, tried to rescind the invitation.

Sarah Sophia vowed to go anyway–if only because His Grace didn’t want her there.

After proceedings in the House of Lords, the gallery spectators were permitted to descend to the floor and mingle. Queen Sarah’s place was (naturally) on the throne steps, where she could easily listen in on post-debate conversations. Other ladies inhabited the throne area as well, but it was Lady Jersey’s presence that some men found objectionable. On one occasion Lord Anglesey loudly warned those nearby to avoid talking politics around her because she might carry tales to the newspapers.

Anglesey apologized but the incident shows Sarah Sophia knew enough to be dangerous.

It didn’t help that Anglesey left Sarah Sophia’s sister-in-law for another woman (landing him in the basket not only with Sarah Sophia but Wellington as well). Lady Caroline Villiers (pictured here with her eldest son) later married the Duke of Argyll, a union that moved her to declare she never knew marriage could be so blissful. Portrait by Hoppner, via National Trust

Another diarist of the time, Henry Greville, thought Sarah Sophia a self-delusional know-it-all:

“Lady Jersey affects to be entirely in the Duke (of Wellington’s) confidence. She said to Lord Granville at Madame de Lieven’s the other night that ‘she made it a rule never to talk to the Duke about affairs in public.” ..I doubt whether he tells her much of anything.”
— Leaves from the Diary of Henry Greville, edited by Viscountess Enfield (1883)

Greville preferred Mrs. Arbuthnot, her cousin and a close confidant of the rising political star Lord Wellington. Of all the Fane women, she got the lion’s share of discretion and good sense, in his opinion. He admired how calm she remained in times of crisis. In Sarah Sophia’s defense, anyone with sense would be upset if Wellington were to die in a stupid duel. Not only would that destroy the Tory government, it would throw the country into economic and political turmoil.

Sarah Sophia was among the first to hear the Duke of Cumberland tried to assault Lady Lyndhurst in her own house. She mentioned it to Greville. Perhaps she already knew what a dreadful gossip he was (Queen Victoria tried to sensor his diary). As expected, he set about discovering all the salacious details of His Highness’ bad behavior. These he took care to share with others, while making sure Lady Jersey would be the last he informed. Suddenly and without warning he found himself in hot water, having to explain why he was spreading slanderous gossip concerning the brother of the King!

Oops.

Bust, marble, of a Lady (probably Sarah Sophia Child-Villiers, Countess of Jersey), by William Behnes, English, signed and dated 1827 — photo via the V&A Collection

It seems Sarah Sophia put Regency-era correspondent and Lord Brougham supporter Thomas Creevey in a quake. Why else would he be paranoid about committing to paper his candid impressions of her?

“Shall I tell you what Lady Jersey is like? She is like one of her many gold and silver musical dickey birds..On the merits of her songs I shall say nothing until we meet.”
–The Creevey Papers Vol II, by Thomas Creevey (1904)

He grew bolder in a subsequent letter, expressing great satisfaction over the clever way Lady Brougham gave Sarah Sophia a smart set-down. To paraphrase: No, her ladyship told Lady Jersey, my husband cannot attend your party in Berkeley Square to meet Prince d’Arenberg. He is attending Lady King’s dinner with me,and I NEVER go anywhere without him!

Both Creevey and Lady Brougham had to eat crow. The evening of Lady King’s dinner, the Brougham carriage arrived–minus Lord Brougham. It was an awkward business for his wife:

“..she made Lord Brougham’s apologies to Lady King for his unavoidable absence on account of business.”

Sarah Sophia’s dust-up with Lady Brougham was mild compared to the epic battles she waged against Lord Brougham. Simply put, he was a great advocate for reform and she decidedly was not. Creevey disapproved, and not just because he was a supporter of his lordship. He deplored the way Lady Jersey gave the vulgar press fodder by interfering in men’s affairs, particularly because such conduct gave females unnatural ideas.

Sarah Sophia may have been on the wrong side of history, but she was on the right side of the war between the sexes. She didn’t let gender stop her from advocating what she thought was right. Creevey remain unimpressed.

Sarah Sophia, he declared, was ‘going to the devil as fast as she can.’

“What I hate more than anything is a liar, a charlatan, someone who doesn’t believe in what they say.”  —–  Lucifer Morningstar (aka the Devil) via Netflix

 

 

*George Villiers, 5th Earl of Jersey did hold important Tory offices throughout his adult life. It is telling, however, that he was content with whatever scraps remained after the other peers fought over appointments in the new King George IV’s household.

+ The Creevey Papers Vol II, by Thomas Creevey (1904)

++The Journal of Henry Edward Fox 1818 – 1830, by Baron Henry Edward Vassall Fox (1923)

+++ The award-winning biography Palmerston, by Jasper Ridley (2008)

 

 

 

Standard-Bearer to the Regency, Part Three

Sarah Sophia Child Villiers had birth, wealth, connections and the foresight to choose Lord Jersey for her husband. These were all necessary to become the Standard-Bearer to the Regency. Getting the ton to acknowledge her as Queen Sarah was another matter.

For the moment, everyone was calling her Silence.

Excessive volubility, at first blush, might be a drawback. Sarah Sophia talked, and quite a lot. Henrietta Ponsonby, Countess of Bessborough (Lady B, as I’ve been calling her in this series of posts) noticed this emerging tendency soon after Lady Jersey married.

Your Sally, she wrote Granville, talks a great deal.

On further examination, Lady B wasn’t just referring to the quantity of Sarah Sophia’s conversation, but how she deliberately talked over others. She often interrupted, monopolizing all the attention. She dominated conversation to assert her authority and emphasize her importance.

When the queen is talking, people shall listen.

Two of the Duke of Bedford’s Sons and Miss Vernon acting out ‘Saint George and the Dragon.’ This large portrait by Reynolds was apparently destroyed in transit from Osterley, which the Earl of Jersey had just vacated in favor of the National Trust. Photo via National Trust Collections.

She also spoke with relentless purpose. She talked a rival banker into giving her a massive Reynolds portrait of the young Duke of Bedford. The painting appraised for double the value of what it originally sold for, but her persistent cajolery drove its owner to give it up for nothing.

Lady B was so sick of hearing about Sarah Sophia’s financial triumph she could scream:

“I do not know how it is, but I always find, when I have not seen your Sally for some time, that she tries me, she talks so much, and often, I think, so foolishly, and she has a way of exclaiming goodness, me! every minute that wearies me.”
Lord Granville Leveson Gower, first Earl Granville: private correspondence, 1781 – 1821

As time went on, this so-called foolish talk became more and more imperious. Sarah Sophia was not merely prattling, expecting little or no response. You couldn’t ignore her or let your mind wander while she was talking. And she still had the habit of making demands on people’s services, if not their possessions. Whether she meant to or not, she commanded others’ compliance, proving the authority she sought to achieve.

Sarah Sophia thought nothing of setting Lady B to the task of translating a French recipe for partridges in cabbage. The following demonstration shows how to prepare this Regency-era dish, including a method for wringing the bird’s neck.

Lady B’s niece also recorded her observations.* Harriet “Harry-O” Cavendish married Granville, an awkward business given he was her aunt’s former lover. As the wife of a diplomat, she often saw the Jerseys while abroad, especially in Paris. She agreed with her aunt–Sarah Sophia talked as if she was ‘a watch after the mainspring has broken.’ But particularly striking was the frenetic pace Lady Jersey set about conquering Parisian society.

Harry-O felt sorry for Lord Jersey.

George Villiers, 5th Earl of Jersey was a well-connected Tory closely aligned with the Crown. His twin passions were hunting and racing. He was an agreeable man and not insensible to the great amount of money his wife spent to restore his country estate Middleton Park and its vast stables. When his countess beckoned, he hastened to her side and remained there as long as she required, whether it be for the London Season or junkets abroad.

If Sarah Sophia was the Standard-Bearer to the Regency, Lord Jersey was her squire.

George Child-Villiers, 5th Earl Jersey — “..not only one of the hardest, boldest, and most judicious, but perhaps the most elegant rider to hounds the world ever saw’. — Crack Riders of England
Photo via National Portrait Gallery

Every year, Sarah Sophia pushed them both through a brutal schedule of social activities. She was seen everywhere and all the time, becoming a fixture at the most exclusive gatherings of the ton. Thomas Moore, that Regency era poet of wine and love, told of the dread the Jerseys’ porter in Berkeley Square suffered as the London Season approached. Sarah Sophia, being a lady of fashion, was expected to come home late at night (translate – early in the morning).

The problem was Lord Jersey.

“..’ My lord is the earliest gentleman in London, and between the two I get no sleep at all.’ ”
— Anecdotes, Bon-mots, and Epigrams, from the Journal of Thomas Moore, ed Wilmot Harrison, (1899)

Sarah Sophia’s efforts were rewarded when she became Patroness of the exclusive social club Almack’s. But her rising authority over the ton was bound to be tested. Lady B’s daughter published an infamous novel Glenarvon, attacking Sarah Sophia’s well-known imperious and talkative temperament. Caro’s caricature Lady Augusta was an instrument of torture in the hands the villain Lord Glenarvon, tormenting and oppressing the heroine, his former lover Calantha.

This would not be the first time Sarah Sophia’s mannerisms and character traits found their way into literature, a subject that will be discussed in a later post. The point here is how she dealt with the unflattering portrait made of her. She bore down on said portrait, becoming more Lady Augusta than Lady Augusta. Life imitating art.

“God forgive you, but I never can.” Elizabeth I

Behind closed doors, Sarah Sophia refused to speak to Lady B’s daughter, even when she was a house guest (as she often was) at the Bessborough country estate in Roehampton. She paid little heed to the strained atmosphere that resulted nor did she quake at Lord Bessborough’s extreme annoyance.  In public, she barred Caro from Almack’s. Some said this act only gave credence to the libel. Sarah Sophia paid no heed.

She had no problem calling down the thunder.

Can’t see Sarah Sophia barring the charming Freddy Standen. I rather fancy Tom Hiddleston as the hero of Georgette Heyer’s Cotillion.

By 1819, Sarah Sophia had made a powerful impression on Regency society, perhaps more than any other woman of the day, judging from the wealth of contemporary observations of her (and they are far too numerous to mention here.) Of her demeanor, Charles Greville summed it up best:

“..(Lady Jersey) is deficient in passion and in softness (which constitute the greatest charm in women) so that she excites more of admiration than of interest..”
the Greville Memoirs, Charles C.F. Greville, Esq (1875)

She wasn’t the sentimental, tragic heroine poets praised, nor was she the staid matron content with a supporting role to her lord and husband. She was Queen Sarah, and she wasn’t done yet.

* See Letters of Harriet, Countess Granville, 1810 – 1845; ed. by her son, the Hon. F. Leveson Gower, (1894)

 

Standard-Bearer to the Regency – Part Two

Sarah Sophia Child Villiers, Countess of Jersey (1785 – 1867) was still young Lady Sarah Fane when the character we recognize from Regency-era history and fiction began to emerge. Part one of this series illustrates a singularly independent female still in her minority, chaperoned by a step-mother only nominally in charge. Add a good dose of guile and the future Patroness of Almack’s becomes even more recognizable.

Especially when she bamboozled even the most sophisticated of society matrons.

Angelica Kauffman’s 1774 portrait of the Spencer girls, Georgiana and Henrietta, along with their brother George, Viscount Althorp.

The matron in question was the Countess of Bessborough, formerly Henrietta Spencer and long-time lover of Lord Granville. She was more than encouraging when his lordship set his sights on Sarah Sophia. No doubt thinking the heiress to the Child banking fortune was all but his, Lady B left Granville to wind up the business while she enjoyed Paris and the fruits of a temporary peace between Napoleon and the allied powers. A pity Granville was still at it when the Treaty of Amiens broke down.

Lady B’s return made his laborious courtship a dashed awkward business.

His mother was fond of her son’s lover as she was of fashion. She certainly appreciated Lady B’s gift of a pelisse in the latest French mode. Yet one senses from Lady Stafford’s correspondence that she wished his paramour had stayed the hell in Paris. She cautioned Granville that tongues were wagging:

“Opportunities are taken to remind Lady S. F. (Sarah Sophia) of Lord G’s (Granville’s) attachment to that Person.” *

Private Correspondence, 1781 to 1821, by Granville Leveson Gower, Earl of Granville, et al; edited by Countess Castalia Rosalind Campbell Leveson-Gower (1916)

 

French silk pelisse, 1815 – via the Metropolitan Museum of Art

A woman of the world, Lady Bessborough dismissed such fears. Sarah Sophia was just out of the schoolroom and surely in awe of such a sophisticated, eligible suitor. If she knew about his liaisons, the gel would have been advised they need not concern her. Indeed, a young and inexperienced mind could not be expected to understand how two persons outside of marriage can share so much intellectually as well as physically.

Besides, such arrangements were part of life in the ton.

Still, Lady B refrained from openly hanging onto Granville’s sleeve. She kept herself busy wrangling with her former lover Sheridan while lending a soothing ear to the Prince of Wales’ complaints, nursing her sick sister Georgiana and giving advice on the best way to invade France to whoever would listen.

Her daughter Caro, also a debutante, kept her informed of Granville’s progress:

” ‘ I never saw anything so coquettish as Lady S. F.’s manner toward Lord G. Wednesday night. She never took her eyes off him, and I am sure saw nothing that was going on. He seem’d either angry or sorrowful, I do not know which.’ “

Lady B’s sister added her own observations. The Duchess of Devonshire thought Sarah Sophia’s conduct scarcely becoming in a prospective bride for Granville. Her use of the old French term agace (to irritate — like a magpie) to describe the chit amused Lady B. She told Granville she didn’t wonder your Sally irritated him. Naive, silly girls often employ this kind of tactic to hide their true attachment.

Sarah Sophia adores you even if she is acting like a little magpie.

Granville was “inclined to despond,” as he informed his mama. But hope continued to spring anew whenever Sarah Sophia showered him with fresh encouragement. Lady Stafford echoed Lady B’s praises in a letter that put priority on his efforts right up there with Russia’s neutrality toward Napoleon and the newly published Montague’s Life and Letters.

Sarah Villiers, Countess of Jersey — drawing by H.T Ryall after the painting by E.T Parris

Sarah Sophia promised to announce her choice upon attaining her majority. When that time came, Granville had just emerged from mourning for his late father and was on the short list for an ambassadorship to Russia. Villiers, as it turned out, won the day. It seemed an anticlimactic conclusion to a contested courtship. Granville’s correspondence gives no hint as to why Sarah Sophia chose the Earl of Jersey’s son over him.

Perhaps she had little liking for the foreign service.

The truth came out a year later when Villiers’ father, Lord Jersey died. Lady Bessborough went to pay her condolences to the dowager countess, the former flame of the Prince Regent. Whether from an agitation of the mind or pure spite, Sarah Sophia’s mother-in-law made a surprising admission. Lord Granville’s pursuit of Sarah Sophia was in vain right from the start. All that time he courted her, the heiress and Villiers were secretly planning their wedding.

Lady Bessborough wrote to Granville:

“..how could she walk and talk with you as she did, and assure you she was free, if this was the case?”

Was Sarah Sophia a coquette as Caro claimed, coveting men’s admiration even when her own feelings were engaged elsewhere? Or was this dissembling over her true marital intentions an early attempt at manipulating others? Sarah Sophia perhaps discovered that guile, combined with independence, might come in handy someday.

A tool of manipulation for the future arbiter of Regency society.

Elizabeth I never intended to marry, conducting an elaborate pretense to the contrary for many years.

* all quotes taken from the above-referenced correspondence of Lord Granville