“Mr. Chawleigh had fallen victim to the fashionable rage for the Egyptian…”
— A Civil Contract, Georgette Heyer (1961)

“..chimney piece of Mona marble, or verd antique, and decorated in the Egyptian style. ” —Ackermann’s Repository, Vol. 14, December, 1822
In 1798, Britain scored a major triumph over Napoleon in the Battle of the Nile. Naturally, the Egyptian motif was in order, recalling the Nation’s exploits in a land most had never seen, but assumed was covered in sphinxes and other sorts of ancient artifacts.
A recent trip to the Victoria and Albert Museum in London confirms a lot of furnishings in the Egyptian style had been made during the Regency. Certainly a good deal of the stuff managed to survive two hundred years.
Much of this was due to Thomas Hope (1769-1831), a wealthy merchant of Scot and Dutch extract. As a young man, he traveled extensively throughout the Ottoman Empire. He used these experiences, and the vast collections he had acquired, to establish himself as an interior decorator to the Regency.
You can still purchase his 1807 book, Household Furniture and Interior Decoration.
His London house was in Duchess Street, Cavendish Square. It acted as a sort of showroom for those who sought eclectic ideas to freshen up the neoclassical style that had been the vogue for some time. His country house, Deepdene, had a resort-like reputation. Guests would relax in rooms equipped with personal libraries and enjoy excellent advice on all things fashionable.
One could get carried away with the Egyptian style, as is often the case with anything that becomes all the rage. In one sentence, Heyer tells us of Mr. Chawleigh’s excessive predilection for the Egyptian.
We know his character better than if she’d described it several.
Hope’s possessions were dispersed by descendants. His son demolished the town residence and British Rail replaced the country mansion with an office block of ‘unsurpassed mediocrity.’ Only his mausoleum survives, on the grounds of vanished Deepdene.
Even this structure was forgotten, buried beneath a huge mound of earth, until it was discovered and restored. Now it can be seen along the public walk outside Dorking. If newspaper accounts are to be believed, a variety of persons and organizations hand a hand in this, including the Lottery Fund, an intrepid Council worker and Julian Fellowes.
Oh, Angelyn…I do love Heyer’s work, and what she did to create her “special version of that period.” Right or wrong, historically, her books have been read and reread any number of times by me, and it’s time to give A Civil Contract another read. Her novels are lightweight and so enjoyable. My copies are in fairly deplorable condition, but still readable, tape and all!
Thanks for today’s post. I don’t know much about Thomas Hope, but I might check out the book, for the illustrations if nothing else. Hopefully, there ARE illustrations.
Cheers, Elaine
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I’m glad you liked the post, Elaine. There’s nothing wrong with Heyer. If you are a writer, then you must acknowledge she sets an excellent example for the craft. And all my copies are taped up, too! Thanks for stopping by.
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