Speaking of Downton Abbey, Violet’s character is so very rich, is it not? Her remarks are cleverly acid and yet illuminating as well. Certainly we know what her ladyship thinks of Byron. We probably can guess what she thinks of Regency poetry in general, with its idealism and “sensibility:”
Edith: “..am I to be the maiden aunt? Isn’t this what they do? Arrange presents for their prettier relations?”
The Dowager Countess: “Don’t be defeatist, dear, it’s terribly middle-class.”
No pining about and no nonsense.
I like to speculate what poets my favorite Regency-set characters favor. As dear Anne from Austen’s Persuasion famously says, “We are living through a great age for poetry, I think.” In the next few posts, this blog will consider some characters from Regency fiction and what poets they might find appealing.
Which of the following would Heyer’s Kitty Charing like?
“..Shelley’s ‘silver music,’ Coleridge’s ‘wings of healing,’ Wordsworth’s ‘wild unpeopled hills’ and above all..Keats.”
from Byron in Love: A Short Daring Life by Edna O’Brien
Hang on–wasn’t it Anne who advised caution against too much poetry? Her companion, Captain Benwick, was:
“..intimately acquainted with all the tenderest songs of the one poet (Walter Scott), and all the impassioned descriptions of hopeless agony of the other [Lord Byron]; he repeated, with such tremulous feeling, the various lines which imaged a broken heart, or a mind destroyed by wretchedness, and looked so entirely as if he meant to be understood, that she ventured to hope he did not always read poetry.”
— Persuasion by Jane Austen (as presented by Janet Aikens Yount in Eighteenth Century Life, Winter 2010)
It must be recalled, however, that Anne Elliot is a masterfully drawn character. She is so nuanced in her beloved, practical way that it is a beautiful serendipity to find in her a great capacity for the “sensibility” vital to Romantic poetry. That capacity was hidden, in a:
“..heart large and expansive, this seat of deep, kind, honest and benevolent feelings–a bosom capacious of universal love, but through which there flowed a deeper stream…” — The Retrospective Review, Vol. 7 Part 1 (1823)
Still waters run deep, as they say.
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